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BERKELEY'S NEWS • DECEMBER 12, 2023

Music

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The National reverberates in reflective, self-conscious melancholy at Bill Graham Civic Auditorium

Perhaps the most striking performance of the night was the band’s rendition of “Pink Rabbits,” an elegy to the wistfulness and disquieting melancholy that can endure (for Berninger, at least) even within long-term relationships.

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The beats on Quaranta are quieter, reverbier and heavier on the low and mid-range frequencies, so even when they verge into banger territory, they still sound like they’re emanating from a wet cave.
The beats on Quaranta are quieter, reverbier and heavier on the low and mid-range frequencies, so even when they verge into banger territory, they still sound like they’re emanating from a wet cave.
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While their previous albums were distinct representations of one half of their dual concept — The Red serving as their bubbly, pop-centric “red” concept and Perfect Velvet embodying their more mature, R&B “velvet” side — Chill Kill blends the two in a long-awaited album that demonstrates Red Velvet’s versatility and sophistication.
While their previous albums were distinct representations of one half of their dual concept — The Red serving as their bubbly, pop-centric “red” concept and Perfect Velvet embodying their more mature, R&B “velvet” side — Chill Kill blends the two in a long-awaited album that demonstrates Red Velvet’s versatility and sophistication.
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At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
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Perhaps the most striking performance of the night was the band’s rendition of “Pink Rabbits,” an elegy to the wistfulness and disquieting melancholy that can endure (for Berninger, at least) even within long-term relationships.
featured article
Perhaps the most striking performance of the night was the band’s rendition of “Pink Rabbits,” an elegy to the wistfulness and disquieting melancholy that can endure (for Berninger, at least) even within long-term relationships.
featured article
The beats on Quaranta are quieter, reverbier and heavier on the low and mid-range frequencies, so even when they verge into banger territory, they still sound like they’re emanating from a wet cave.
featured article
The beats on Quaranta are quieter, reverbier and heavier on the low and mid-range frequencies, so even when they verge into banger territory, they still sound like they’re emanating from a wet cave.
featured article
While their previous albums were distinct representations of one half of their dual concept — The Red serving as their bubbly, pop-centric “red” concept and Perfect Velvet embodying their more mature, R&B “velvet” side — Chill Kill blends the two in a long-awaited album that demonstrates Red Velvet’s versatility and sophistication.
featured article
While their previous albums were distinct representations of one half of their dual concept — The Red serving as their bubbly, pop-centric “red” concept and Perfect Velvet embodying their more mature, R&B “velvet” side — Chill Kill blends the two in a long-awaited album that demonstrates Red Velvet’s versatility and sophistication.
featured article
At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
featured article
At Bill Graham, all variety of pick-me paragons in their spookiest finery were stunned by the artist’s range, especially during a tweaked rendition of fan favorite “Hillside Boys.” 
featured article
In a crescendo of pulsating beats, electrifying energy and unbridled passion, McLaughlin left an indelible mark on his hometown as the Brick & Mortar Music Hall was transformed into a moshing haven.
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In a crescendo of pulsating beats, electrifying energy and unbridled passion, McLaughlin left an indelible mark on his hometown as the Brick & Mortar Music Hall was transformed into a moshing haven.
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While the trio included plenty of flourishes, Mehldau’s unassuming, almost humble approach to performing grounded his set.
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While the trio included plenty of flourishes, Mehldau’s unassuming, almost humble approach to performing grounded his set.
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“I have my entire career on Pinterest, so if it ever gets hacked, I’m f–cked,” the 25-year-old singer-songwriter laughed in an interview with The Daily Californian, citing the image curation platform as one of her biggest references.
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“I have my entire career on Pinterest, so if it ever gets hacked, I’m f–cked,” the 25-year-old singer-songwriter laughed in an interview with The Daily Californian, citing the image curation platform as one of her biggest references.
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Heaven knows also opens doors for experimentation — at least, as much experimentation that still allows the project to be defined by PinkPantheress’ signature Y2K sound.
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Heaven knows also opens doors for experimentation — at least, as much experimentation that still allows the project to be defined by PinkPantheress’ signature Y2K sound.
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In a similar vein of lush, escapist pop, the tune hypnotized the audience, persuading fans to dance like never before and sing their hearts out with no inhibition.
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In a similar vein of lush, escapist pop, the tune hypnotized the audience, persuading fans to dance like never before and sing their hearts out with no inhibition.
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Betsy Jolas once said, “I’m still learning and I’m still trying things I’ve never done before.” SF Symphony is clearly doing the same, experimenting with imagery and interdisciplinary performance.
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Betsy Jolas once said, “I’m still learning and I’m still trying things I’ve never done before.” SF Symphony is clearly doing the same, experimenting with imagery and interdisciplinary performance.
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