A&E

The film vividly documents scenes from the first few months of the pandemic, contrasting scenes from anti-vaccination protests with often shocking imagery of body bags and mass graves from New York City. “Shot in the Arm” grounds itself in these events, emphasizing the tangible risks of vaccine hesitancy.

Nearly coinciding with the glitzy and illustrious New York Film Festival, MVFF is like its equally cool younger sister. She deserves attention, too!

Heaven knows also opens doors for experimentation — at least, as much experimentation that still allows the project to be defined by PinkPantheress’ signature Y2K sound.

Remembered by the campus community as a “fascinating person” for her resilient nature, fun persona, sharp wit and powerful intellect, campus alumna and Professor Emerita Angela Little died Sept. 19 at the age of 103.

In a similar vein of lush, escapist pop, the tune hypnotized the audience, persuading fans to dance like never before and sing their hearts out with no inhibition.

The film blurs the line between the morality of the residents and the supposed brutality of the “cockroaches,” suggesting that perhaps there’s only one thing worse than the apocalypse — ourselves.

The biggest problem for “Loki” is one that’s afflicted Marvel for a while now; it no longer knows how to handle a narrative device it helped popularize.

Just as Kenneth Tam explores adolescent spaces, his art could be considered in a similar pubertic realm. The artist is at a liminal threshold — finding his voice and fine-tuning his craft by way of a playful curiosity through varying mediums.

Betsy Jolas once said, “I’m still learning and I’m still trying things I’ve never done before.” SF Symphony is clearly doing the same, experimenting with imagery and interdisciplinary performance.

Combining archival photography and interviews with modern-day footage and comic book-like animations, the documentary looks like a cross between a home video and a hipster art piece (and in a way, it’s both).